![]() In the early '90s, Wing Commander was a popular spaceship combat game that took on a cinematic quality thanks to Mark Hamill lending his voice to the action. A few years later, he'd admit that the "humor in Postal is not always, let's say, hitting the target," but, he adds, "some scenes are the best in comedy I saw in the last 15 years." "If comedy cannot be in a way insulting for some, but other people have a blast out of it, where are we? It's freedom of speech," he said specifically of the 9/11 sequence to EW following the film's release. It's spirited in its efforts to offend, but it's also exhausting.īoll seemed to enjoy discussing the film's controversial aspects in interviews. There's gags about American politics, nuclear war, mass shootings, bestiality, racism, and, most famously, 9/11. Uwe Boll's Postal is a loose adaptation of the bloody, tongue-in-cheek video game of the same name, which encourages players to "go postal" in a world afflicted by a "hate plague." It's less an adaptation, though, than a sandbox where Boll can troll his audience with off-color jokes about every taboo topic he can pluck from the cultural consciousness. Nintendo cartridge, a VHS copy of Ghostbusters, some magic mushrooms, and a Komodo dragon into the molecular transporter in The Fly and you're watching the abomination that came stumbling out. Instead, imagine someone threw a Super Mario Bros. Just don't go into it thinking you're going to see a recreation of the classic Nintendo game. EW bashed the film back in '93, calling its setting " Blade Runner as imagined by a 2-year-old."īut, if watched with an open mind, the movie has a demented appeal. The villainous goombas, meanwhile, are now massive, fanged brutes with tiny reptile heads. Yoshi, a friendly dinosaur companion in the game, is changed from a chubby-cheeked lizard into a raptor. On the other hand, it felt like a far cry from the video game series in both tone and style - and that pissed off a lot of gamers. Its subterranean, punk-inspired world was clearly crafted with care by directors Rocky Morton and Annabel Jankel, even if its story of plumbers tasked with saving a princess from the spiky-headed tyrant of a parallel universe doesn't make a lick of sense. On the plus side, the movie's genuine oddness and sci-fi edge helps it stand out from its contemporaries. The reality is that it sits somewhere in between, being a film that was derided with such a ferocity upon its release that it was basically primed for cult status. is, depending on who you ask, either the best or worst video game movie of all time. Easily one of the most polarizing films on this list, 1993's Super Mario Bros.
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